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	<title>A few words over &#187; William Finnegan</title>
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	<description>Ideas, observations, and rushed judgments on writing</description>
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		<title>Nieman Conference:  Thoughts on Day Two, P.M.</title>
		<link>http://mattmedia.net/writing/2009/03/nieman-confeence-thoughts-on-day-two-pm/</link>
		<comments>http://mattmedia.net/writing/2009/03/nieman-confeence-thoughts-on-day-two-pm/#comments</comments>
		<pubDate>Sun, 22 Mar 2009 09:09:59 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Arts]]></category>
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		<category><![CDATA[New Yorker]]></category>
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		<category><![CDATA[Nieman Conference]]></category>
		<category><![CDATA[William Finnegan]]></category>
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		<description><![CDATA[Over lunch, a bunch of strangers and I tried to figure out how to save the newspaper business. We didn&#8217;t succeed in finding a solution, but the brownies were quite tasty. For the first afternoon session, went to &#8220;Conversation on Craft&#8221; on Magazines. The conversation focused on this powerful feature story from the New Yorker: [...]]]></description>
			<content:encoded><![CDATA[<p>Over lunch, a bunch of strangers and I tried to figure out how to save the newspaper business.  We didn&#8217;t succeed in finding a solution, but the brownies were quite tasty.</p>
<p>For the first afternoon session, went to &#8220;Conversation on Craft&#8221; on Magazines.  The conversation focused on this powerful feature story from the New Yorker:  <a href="http://www.newyorker.com/reporting/2008/09/29/080929fa_fact_finnegan">The Last Tour</a> by William Finnegan. Interesting session, from which my biggest take away is that William Finnegan is a hell of writer.</p>
<p>The second afternoon session was a tough call.  I wanted to attend five of the seven sessions, but ultimately wound up in Tom French&#8217;s talk on &#8220;getting organized, mapping a story, finding a structure.&#8221;  <a href="http://www.nieman.harvard.edu/assets/pdf/conferences/narrative/handouts09/PARTS%20NOBODY.pdf">This handout</a> is a great summary.  Again, I was really impressed with Tom French.  A few interesting tidbits you won&#8217;t find on the handout:</p>
<ul>
<li><img src="http://mattmedia.net/writing/wp-content/uploads/2009/03/dccomics.jpg" alt="Cover of 'D.C. Comics Guide to Writing Comics'" class="picright">The best book on structure, according to French, is the <a href="http://www.amazon.com/DC-Comics-Guide-Writing/dp/0823010279/ref=rsl_mainw_dpl?ie=UTF8&amp;m=ATVPDKIKX0DER">D.C. Comics Guide to Writing Comics</a>.  Seriously.</li>
<li>Readers are smarter and more open to new approaches than we think.  Reader are often ready for a lot more than editors and writers expect.  The conventional wisdom about what they read or won&#8217;t read is often wrong.  Sometimes, you can bury the lede and the world wont come to the end&#8230;</li>
<li>Even great writers often think their work sucks, especially when their working on it. It is common, he says, to be frequently &#8220;fighting off panic and terror.&#8221;  &#8220;It&#8217;s good to be scared,&#8221; French says. &#8220;That means that you&#8217;re pushing yourself.&#8221;</li>
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